LECTURERS 2015 Spring Semester
Brigitta Iványi-Bitter PhD
host lecturer of MOME is
responsible for setting the agenda for the course,
elaborates the general framework of the lecture-series, invites the
guest-lecturers. Her lectures will focus on Hungarian animation history
from different point of views, like women artists and social
sensitivity, children as audience and as subject of animated films in
Hungary after 1945.
Michal Bobrowski from
Krakow will focus his lectures on Polish animation in the past 50
years, the Polish Animation School and relevant developments in art and
technology started by Zbyg Rybczinsky.
Eliska Decka
from Prague will focus her lectures on Czech animation from the point
views of gender issues, women artists, stereotypes and marginalized
groups represented in the chosen films.
LECTURERS 2014 Spring Semester
Brigitta Iványi-Bitter PhD
host lecturer of MOME is
responsible for setting the agenda for the course,
elaborates the general framework of the lecture-series, invites the
guest-lecturers. Her lectures will focus on Hungarian animation history
from different point of views, like women artists and social
sensitivity, children as audience and as subject of animated films in
Hungary after 1945.
Michal Bobrowski from
Krakow will focus his lectures on Polish animation in the past 50
years, the Polish Animation School and relevant developments in art and
technology started by Zbyg Rybczinsky.
Eliska Decka
from Prague will focus her lectures on Czech animation from the point
views of gender issues, women artists, stereotypes and marginalized
groups represented in the chosen films.
LECTURERS in 2013 Fall Semester
Brigitta Iványi-Bitter PhD
host lecturer is responsible for setting the agenda for the course,
elaborates the general framework of the lecture-series, invites the
guest-lecturers. Besides the general introduction of the topic, she
lectures about the Hungarian animation film history. Her special
research focus is Cold war era experimental animation films with
special focus on the legacy of the Pannonia Film Studio, and the oeuvre
of György Kovásznai (filmmaker, writer, painter).
Marcyn Gizycki is
lecturing about Polish animation films. His focus is Polish avant-garde
cinema, especially experimental animation between
the two world wars. The avant-garde films of Stefan and Franciska
Themerson. The innovative films of Piotr Dumala. Surrealism in Polish
animation films. The making of the Anthology of Polish Animation DVD
and booklet series.
Michaela Mertova
is lecturing about Czech animation film history. Her focus is the
beginnings of Czech Animated and Trick Film in the period from the
1920s until the end of the Second World War.
Katarina Minichova
is lecturing about Slovak animation films. Her focus is the history of
Slovak animation after 1960. Case studies: animated films for children
in the 70s and 80s. Contemporary Slovak animation, with special
attention to children’s animation. Conclusions of the Biennial of
Animation Bratislava, and the International festival of Animated Films
for Children.
